Chladni & Cymatics

Sand, sound, and pattern: mapping truth-patterns to plates, Rosslyn motifs, and your birth-frequency boards.

What is Cymatics?

Foundations

Cymatics visualizes standing waves on plates and membranes. Vibrated surfaces form nodes (quiet lines) and antinodes (active areas). Particles like sand migrate to nodes, tracing the pattern. By sweeping frequency and adjusting drive, you can map a material’s modal landscape and “paint” with resonance.

  • Sweep: slowly scan frequency to catch stable modes.
  • Control: keep amplitude just high enough for clean migration.
  • Record: log freq, Vpp, plate size/thickness, driver position.

Plate Setups

Builds
Square & Circular Plates
Squares give gridlike modes; circles produce rosette and radial patterns. Try 200–300 mm plates at 1–2 mm thickness to start.
Supports & Isolation
Use three soft standoffs (silicone pads) near corners/edges to decouple the table. Avoid clamping the whole edge—over-damping kills patterns.
Exciters & Coupling
Audio exciters work well; epoxy a small wooden puck to the plate underside and attach the exciter to the puck (removable tape or screws if needed). Keep leads strain-relieved.
Media
Salt, fine sand, poppy seeds, or microbeads. Start with table salt; then try heavier media for more defined nodes.

Driver Placement Diagrams

Geometry

Placement steers which modes are easily excited. Center-drive excites symmetric modes; off-center drive reveals asymmetric and higher-order patterns. Below are schematic placements:

Center Drive (Circular Plate)
Driver

Great for symmetric rosettes; may miss anti-symmetric modes.

Edge Drive (Square Plate)
Driver

Good for gridlines; excites modes with edge displacement.

1/3–Rule Off-Center
Driver

Hitting non-integer symmetry points teases complex modes.

Materials vs Q-Sharpness & Cost

Reference
Material (thickness)Approx. CostQ-SharpnessNotes
Aluminum (1–2 mm)£HighBright modes, stable, easy to drill/finish.
Acrylic / PMMA (2–4 mm)££MediumGood visuals, safer edges, damped highs.
Steel (1 mm cold-rolled)££HighVery sharp modes, heavier, rust-prone.
Brass (1 mm)£££HighMusical overtones, expensive, weighty.
Plywood (3–6 mm, birch)£Low–MedOrganic damping, warm but smeared nodes.
Glass (2–3 mm, tempered)££MediumPretty but fragile; edge-safety required.
Carbon fiber sheet (1–2 mm)£££HighRigid & lively; pricey; conductive.

Tip: higher Q → sharper, more stable patterns but also more sensitive to tiny changes in placement and media weight.

Rosslyn Motifs Tie-In

Mapping

Use Rosslyn-inspired lattices (flower-of-life, Reshel 5-1-5-1 spacing, cube arrays) as overlays for plate geometry, driver placement, or bead positioning. Treat them as layout guides for likely nodal lines.

  • Overlay: lightly engrave/print a motif on acrylic; align the driver to a motif focus.
  • 5151 Grid: place exciters or coil pairs at 5:1:5:1 ratios along axes.

Birth-Frequency Board — Step-by-Step

Make
  1. Choose plate: 2 mm aluminum or 3 mm acrylic, 250–300 mm size.
  2. Mount driver: stick an exciter to a wooden puck; epoxy puck underside at 1/3 radius.
  3. Prep media: sprinkle table salt evenly; keep layer thin for quick migration.
  4. Dial frequency: sweep around your target (e.g., 180.3 Hz ±10%) until the pattern locks.
  5. Fix pattern: lightly mist spray adhesive from ~40 cm; let salt tack into place.
  6. Add crystals: place birth-aligned stones along nodal lines; use tiny dots of clear adhesive.
  7. Seal: optional clear resin pour (thin) for a durable art-board; avoid flooding patterns.
  8. Label & log: engrave/print frequency, date, Vpp, plate specs; photograph with scale reference.

Safety: hearing protection for long sessions; avoid loose clothing near drivers; keep resin work ventilated.

Experiments

Lab Notes
Mode Mapping Sweep
  1. Set sine source 20–1200 Hz via signal generator → audio amp → exciter.
  2. Sweep slowly; mark (freq, Vpp, driver position) when stable patterns appear.
  3. Repeat with new driver placements (center, edge, 1/3) to build a mode atlas.

Notes: Keep amplitude minimal for clarity. Photograph each mode with a ruler for scale.

Material Shootout
  1. Cut equal-size plates (e.g., 250 mm square) in aluminum, acrylic, and plywood.
  2. Use same exciter and placement; sweep identical ranges.
  3. Score each plate for pattern sharpness, stability time, and sensitivity to touch.

Notes: Use identical media mass each run. Rate 1–5; build your own Q-score.

Rosslyn Overlay Probe
  1. Apply a flower-of-life or 5151 overlay to acrylic.
  2. Drive at several known modal peaks; note alignment of nodes with overlay points.
  3. Iterate driver positions guided by overlay foci; track any convergence.

Notes: This tests whether the overlay aids repeatability or just aesthetics.

Glossary (Quick)

Reference
Node / Antinode
Node = minimum displacement; antinode = maximum displacement.
Mode
A specific standing-wave pattern of a structure at a frequency.
Q-Factor
Sharpness/quality of resonance peak; higher Q = narrower band.
Exciter
A small speaker/actuator that vibrates the plate via direct contact.
Sweep
Continuous frequency scan; slow enough to let particles migrate.
Coupling
How energy transfers into the plate (mechanical interface quality).

FAQ

Clarity
My patterns smear or won’t settle. What should I check?
Lower amplitude, reduce media quantity, improve isolation (soft feet), and try off-center drive.
How do I record Vpp cleanly?
Measure at the signal generator output and note the amp gain setting; consistency beats absolute accuracy.
Can I use square waves?
You can, but sine waves produce cleaner single-mode patterns. Use square only for edgy textures, then switch back to sine to lock modes.
What plate size is best to start?
250 mm square aluminum (2 mm) is a sweet spot: affordable, stiff, and lively.